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Nineteen movies (three in the Official Section and sixteen in
Zabaltegi-New Directors) will compete at the 52nd San Sebastian
International Film Festival for the Altadis-New Directors Award,
sponsored by Altadis and carrying Euro 90,000 (approx US$95,000).
Seventeen countries feature in this selection offering an overview
of films with very little in common. Two Argentine movies and
another from Colombia represent Latin American cinema. Europe
is present with titles from Switzerland, Italy, Germany, France,
Turkey, Norway, Ireland and the UK, not forgetting a Spanish
directorial debut. The selection is rounded off with films from
Burkina-Faso, New Zealand, Canada, South Korea, China or Hong
Kong.
Tales of families reflecting the social crisis via characters
and situations familiar to us all; problems suffered by youngsters
related to work and social uprooting; noir cinema in its different
urban variations; political cinema; stories of love and relations...
OFFICIAL SECTION – NEW DIRECTORS
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A LETTER
FROM AN UNKNOWN WOMAN. Xu Jinglei. China. Cast: Xu Jinglei,
Jiang Wen. |
| To make her second
movie as a director, actress Xu Jinglei (My Father and I,
2003) has decided to adapt Stefan Zweig’s novel, of
which there already exists a splendid adaptation by Max
Ophüls. Xu Jinglei’s Eastern point of view endows
the tale of this unknown girl in love with a man who doesn’t
know with a number of beautiful, sensitive and intelligent
moments, tinged with the gentle sadness and nostalgia of
a love that could have been but never was. |
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GEO-MI-SOOP
(SPIDER FOREST). SONG Il-gon. South Korea. Cast: KAM Woo-sung,
SUH Jung, KANG Kyeong-heon. |
| Having fainted
and being found on a road, a young boy recalls having seen
two corpses in a small house in “spider forest".
Gradually he discovers the mystery concealed by the forest
as the border between reality and the supernatural blurs.
Second movie by one of the most brilliant directors of new
Korean cinema, whose first feature, Flower Island, won the
Award for Best Opera Prima at Venice Festival in 2001. |
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OMAGH.
Pete Travis. Ireland-UK. Cast: Gerard McSorley, Michelle
Forbes. |
| Written and produced
by the director of Bloody Sunday, Paul Greengrass, this
movie recalls the terrible terrorist attack which took place
in Omagh on 15 August 1998, when a Real IRA bomb literally
massacred innocent people in the city centre. The investigations
of Michael Gallagher, who lost his 21-year-old son in the
attack, is the thread of a tale turning into a denunciation
of the political situation of the time. |
ZABALTEGI – NEW DIRECTORS
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IM NORDWIND
(NORTH WIND), Bettina Oberli. Switzerland. Cast: André
Jung, Judith Hofmann, Aiko Scheu |
| A story on the
surface like so many others: the father works for a company,
the mother is a housewife, the daughter a contentious teenager.
The day on which the movie kicks off, the father loses his
job. We then follow him through two weeks in his day-to-day
life, observing how his recent unemployment affects his
whole relationship. The distinguishing feature of this film
is a solid, uncompromising mise en scène. |
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CAMA
ADENTRO (BEBA'S LIVE-IN), Jorge Gaggero. Argentina-Spain.
Cast: Norma Aleandro, Norma Argentina. |
| Beba is a middle-class
woman left with no money by the corralito bank crisis; Dora
is the typical maid that Beba continues to treat with an
iron hand despite the fact that she can’t pay her.
Smart and amusing portrait of two women and two worlds representing
the situation with their witty dialogues and perfect description,
all based on the performance of two exceptional actresses.
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DAG OCH
NAT (DAY AND NIGHT). Denmark - Sweden. Dir.: Simon Staho.
Cast: Mikael Persbrandt, , Maria Bonnevie, Lena Endre, Pernilla
August, Sam Kessel |
| The father of
a family planning to commit suicide spends the last day
in his car, meeting his son, his ex-wife, his mistress,
his mother and other people who have surrounded him in his
spiral down into a pit of desperation and incommunication.
Simon Staho, a director who participated in Zabaltegi 1998
with his opera prima, Vildspor (Wildside), creates an unconceding
drama featuring big names in Nordic actors and a truly challenging
mise-en-scène |
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EVILENKO,
David Grieco. Italy-Russia. Cast: Malcolm McDowell, Marton
Csokas, Ronald Pickup. |
| Grieco adapts
his own novel, Il comunista che mangiava i bambini, in turn
based on A. R. Cikatilo’s character, better known
as “the monster of Rostov”, a serial killer
who murdered, raped and devoured over 50 children during
the late years of the Soviet Union. Starring Malcolm McDowell,
the film is an X-ray of a demented character serving as
a metaphor of the crumbling Communist regime. |
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FRÍO
SOL DE INVIERNO (COLD WINTER SUN), Pablo Malo. Spain. Cast:
Unax Ugalde, Javier Pereira, Marisa Paredes, Marta Etura. |
| Pablo Malo’s
debut is a quasi-noir family melodrama told in personal
key. An uprooted youngster fresh out of a psychiatric clinic
sets off in search of the father he blames for his family’s
problems. The travels during which he meets an array of
characters taking him to Lisbon and the truth about his
background. |
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IN DIE
HAND GESCHRIEBEN (GRAVEN UPON THY PALM), Rouven Blankenfeld.
Germany. Cast: Irma Schmitt, Hans-Peter Deppe, Klaus Lehmann. |
| While the situation
starts out as a family drama: a married couple has to look
after the wife’s father after a stroke, the story
surprises as it unfolds and the woman, increasingly stressed
by her demanding father and a brutal, insensitive husband,
ends up taking a series of unorthodox decisions. |
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IN MY
FATHER’S DEN, Brad McGann. New Zealand. Cast: Matthew
Macfadyen, Miranda Otto, Emily Barclay. |
| Homecomings can
be highly complicated. Paul, a war correspondent back in
his country for his father’s funeral finds himself
caught up in a situation where past and present mix in a
family drama of unexpected outcome. A well-built movie employing
different times to tell a tale of considerable ramifications. |
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INNOCENCE,
Lucile Hadzihalilovic. France. Cast: Marion Cotillard, Hélène
de Fougerolles. |
| Based on a short
story by the author of Pandora’s Box (Lulú),
this symbolist tale by Frank Wedekind, published in 1903,
is set in an undefined place in space and time. The action
takes place in a strange house isolated from the world inhabited
by girls from seven to thirteen years of age. The arrival
of a new student to this unusual school unveils some of
the mysteries hidden within its walls. |
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JIANG
HU, Wong Ching Po. Hong Kong. Cast: Andy Lau, Jacky Cheung,
Shawn Yue, Edison Chen. |
| In the dangerous
world of the Hong Kong underworld, two youngsters are given
the chance of leaving their miserable jobs to kill a mafia
capo. This is the first step in a long criminal career making
them into powerful crimelords from which they are practically
unable to escape, although one of them tries by creating
a family. |
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KARPUZ
KABUGUNDAN GEMILER YAPMAK (BOATS OUT OF WATERMELON RINDS),
Ahmet Uluçay. Turkey. Cast: Ismail Hakki Taslak,
Kadir Kaymaz, Gülayse Erkoç. |
| First movie by
a Turkish director living in an Anatolian hamlet. Set in
the 60s, this is the story of how their love for cinema
drives two teenagers to build a projector in a stable while
dreaming of becoming movie directors. A film as fresh and
innocent as they come making the most of its extraordinary
setting. |
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LA NUIT
DE LA VERITÉ (THE REVEALING NIGHT), Fanta Regina
Nacro. France-Burkina Faso. Cast: Mouss Cissé, Naki
Sy Savane, Georgette Paré. |
| After ten years
of bloody ethnic war, the Nayaks, the President’s
ethnic group, and the Bonandés, rebels supporting
Colonel Theo, are on the point of signing a peace agreement.
But the reconciliation celebrations are overshadowed by
the terrible barbarities committed by both sides. This young
African filmmaker has no qualms about directly portraying
the violence enclosed by the story. |
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PRÓXIMA
SALIDA, Nicolás Tuozzo. Argentina. Cast: Dario Grandinetti,
Pablo Rago, Ulises Dumont. |
| The closing down
of a railway line leaves a group of workers out on the street
with the obligation of learning how to recycle themselves
jobwise. The difficulty of rebuilding their lives unexpectedly
brings them closer to their children, who share their uncertainty
regarding the future. They all seek a fast way out in which
truth and lies, irony and pain, failure and victory intermingle
in a night that will mark them forever. Próxima salida
is participating at San Sebastian following its presentation
at Films in Progress 5 (Toulouse, March 2004). |
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LA SOMBRA
DEL CAMINANTE (THE WANDERING SHADOWS), Ciro Guerra. Colombia.
Cast: César Badillo, Ignacio Prieto, Inés
Prieto Saravia. |
| This movie, Films
in Progress 4 Award from the technical industries, narrates
an urban tale with two left-field characters: a silletero
who carries people on his back for 500 pesos and a man with
only one leg. The two strike up a friendship marked by the
violence of a past still present in their lives. |
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UNO,
Aksel Hennie. Norway. Cast: Aksel Hennie, Nicolai Cleve
Broch. |
| Directorial debut
by one of the most promising Nordic actors who reserves
the leading part for himself. David lives in Oslo, his father
is seriously ill, he has a handicapped brother and doesn’t
get on with his mother. He works in a gym. His entire world
does an about-turn the day his father dies and he is obliged
to betray his friends. Thanks to this, however, David discovers
the truly important things in life. |
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A WAY
OF LIFE, Amma Asante. UK. Cast: Stephanie James, Nathan
Jones, Gary Sheppeard, Dean Wong. |
| The hub of this
ruthless movie is 18 year old Leigh-Anne whom, with a 10
month-old daughter and her three friends Robbie, Gavin and
Stephen, scrape by with their down-and-out lives in a big
city condemned to frustration and rage leading to a violent
racial crime of which the victim is a young Muslim neighbour.
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WILBY
WONDERFUL. Daniel MacIvor. Canada. Cast: James Allodi, Maury
Chaykin, Paul Gross, Callum Keith Rennie, Sandra Oh. |
| 24 hours in the
life of a small island city where nothing seems to happen.
A full day in which a variety of characters come and go,
acting as though nothing is amiss with a behaviour concealing
anything but conventional secrets. A choral comedy tenderly
treating its characters, played by a cast of excellent actors.
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Donostia- San Sebastian, 13 August 2004
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