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8/20/2004
ZABALTEGI - FESTIVALS’ TOP


Festivals’ Top
, the Zabaltegi section, showcase for some of the most interesting movies screened at other festivals, this year offers a more daring selection than on other occasions with the inclusion of three documentaries. This move reflects the boom currently being experienced by this genre at all international events. The series of movies opting for the TCM Audience Award with its €30,000 for the distributor in Spain of the winning film, sponsored by TCM (Turner Classic Movies), features titles from Sundance, Berlin, Cannes, Toronto and Venice.


BEAUTIFUL BOXER, Ekachai Uekrongtham. Thailand. Cast: Asanee Suwan, Sorapong Chatree.
First feature from one of the most prestigious theatre directors in South-East Asia. The history focuses on the life of Nong Toom, a Thai boxing champion who in fact felt more like a woman. In the words of the person known as “the boxing transvestite”: “Although my body is that of a fighter, I’m a woman at heart”. Nong Toom finally achieved his sex change in 1999. Presented in the Panorama section of Berlin Festival.



COMME UNE IMAGE (LOOK AT ME), Agnès Jaoui. France. Cast: Marilou Berry, Agnès Jaoui, Jean-Pierre Bacri.
Agnès Jaoui and Jean-Pierre Bacri received the award for best script at the last Cannes Festival for this intelligent comedy on self-esteem and accepting ourselves as we are, not as we would like to be or as we think others see us. Story of stories, woven around the world of music, writing, love and indifference, its honours trick comes in the shape of brilliant dialogues and characters who end up winning our hearts.



DARWIN’S NIGHTMARE. Hubert Sauper. Austria-France-Belgium. (Documentary)
A new species of enormous fish has entered Lake Victoria in Tanzania, bringing an end to all of the lake fauna and giving rise to an industry of such tremendous dimensions that, instead of bringing progress, it is seriously upsetting the balance of the country. These fish are trafficked in Russian freight planes that don’t come empty to the African continent. A political documentary raising a cry to European conscience in the attempt to call attention to the tragedy of Africa. To be screened at Venice Festival (Giornate degli Autori).



LA DEMOISELLE D’HONNEUR (THE BRIDESMAID), Claude Chabrol. France-Germany. Cast: Benoît Magimel, Laura Smet, Aurore Clément.
Philippe falls in love with Senta, one of the bridesmaid at his sister’s wedding. Their mutual passion is so intense that Philippe doesn’t at first notice that the girl’s obsessive, dreamy nature and her proposal to kill someone for love can have fatal consequences. Claude Chabrol has returned to the world of writer Ruth Rendell (A Judgement in Stone) to make this dark, complex thriller starring Benoît Magimel (The Piano Teacher; The Flower of Evil) and Laura Smet (Eager Bodies). To be screened at Venice Festival.



DIARIOS DE MOTOCICLETA (THE MOTORCYCLE DIARIES), Walter Salles. USA-France-Argentina-UK. Cast: Gael García Bernal, Rodrigo de la Serna.
In 1952 the man later to become Che Guevara travelled around South America on a motorbike with his friend Alberto Granado discovering the reality of a continent of which he knew absolutely nothing. That’s the plot of this initiation road movie with a privileged hero. The excellent performances of Gael García Bernal and Rodrigo de la Serna were ignored at the last Cannes Festival, despite being one of the most popular films with the critics and audiences.



SHI MIAN MAI FU (HOUSE OF FLYING DAGGERS), Zhang Yimou. China. Cast: Takeshi Kaneshiro, Andy Lau, Zhang Ziyi, Song Dandan.
Zhang Yimou seems to feel at home with a cinema packed with heroes, swords and fantastic beings permitting him to create real visual spectacles packed with magic and colour. We are in the year 859, when the Tang dynasty is being assaulted by a variety of rebel groups, among which is The House of Flying Daggers. While two captains plan a strategy to capture the head of this army, we soon discover that nobody’s who they seem to be in this enchanted forest. Presented out-of-competition at the last Cannes Festival.



MARÍA, LLENA ERES DE GRACIA / MARIA FULL OF GRACE, Joshua Marston. USA-Colombia. Cast: Catalina Sandino Moreno, Yenny Paola Vega, Guilied López.
Catalina Sandino won the award for Best Actress at the last Berlin Festival for her part as this young Colombian girl who’d do anything to immigrate to the country of her dreams, the USA, even if it means taking serious risks when her passport to happiness turns out to be none other than the white powder of heroin. First movie by a young Californian educated in Europe and holder of a Degree in Political Sciences.



MOOLAADE, Ousmane Sembene, Senegal-France. Cast: Fatoumata Coulibaly, Maïmouna Hélène Diarra.
A mother and sufferer of genital mutilation succeeds in saving her only daughter from this rite known as Purification. In seven years this woman has managed to save from the rite four girls who accepted her offer of asylum in Moolaadé. An African movie pointing the finger at the terrible reality of accepting or not an atavistic ritual such as female circumcision. Sembene won the Un Certain Regard prize at Cannes.



NOTRE MUSIQUE, Jean-Luc Godard. France-Switzerland. Sarah Adler, Nade Dieu, Rony Kramer.
It’s not a documentary; it’s not a feature film. It’s an essay with a history. Divided into three parts: Hell takes us towards conflict with war movie editing; Purgatory concentrates on a visit to Sarajevo for the European Book Conference; Paradise portrays a peaceful landscape custodied by US marines. Past and present wars: Palestine and Israel: the best Godard of recent times screened at the Cannes Official Selection.



SALVADOR ALLENDE. Patricio Guzmán. France-Spain-Belgium-Germany-Mexico.
Patricio Guzmán has spent the last 30 years unrelentingly researching into the history of that terrible 11 September 1973 which put paid to the hope of a better world. With Salvador Allende, the director of La batalla de Chile (1973-1979) pays homage to one of the most important men in the history of South America, uncovering his figure to the new generations who never got to know him. One of the most outstanding documentaries at the last Cannes Festival.



SUPER SIZE ME. Morgan Spurlock. USA.
One of the surprises at Sundance. This self-documentary dares to question one of the pillars of North American culture: fast food. Based on an experiment carried out guinea pig style by Spurlock himself, the film is an entertaining yet serious analysis of the American Way of Life and how it can become totally self-destructive.



VERA DRAKE, Mike Leigh. France-UK. Cast: Imelda Staunton, Phil Davis, Peter Wight.
A family tries to survive in grey, miserable and decrepit post-war London. The father works in a garage, the son in a tailor’s shop, the daughter has an impossible boyfriend and the mother, in addition to working as a cleaner, visits the sick and practices illegal abortions. When one of her patients is taken to hospital, the lives of Vera Drake and her entire family are shaken to the roots. One of the star titles in competition at the Venice Mostra.



WHISKY. Juan Pablo Rebella & Pablo Stoll. Uruguay-Spain. Cast: Andrés Pazos, Mirella Pascual, Jorge Bolan.

25 Watts was already a sign that these Uruguayans were going to cause talk. Whisky is the confirmation and proof that the cold, strange world of Kaurismaki’s Finland can be perfectly represented in the cold, strange world of Uruguay. Jacobo, Marta and Herman form a trio impossible to forget in their silences, lies, hidden feelings and concealed sense of humour. The most highly acclaimed movie of Un Certain Regard at the last Cannes Festival, winner of the Regard Original award.




August 20th, 2004