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Horizontes Award

The HORIZONTES Jury at the 52nd Donostia-San Sebastian Intenational Film Festival, consisting of the members:

Has decided to award two special mentions to:

  • FERNANDA MONTENEGRO and DAMIAN ALCAZAR for their sensitive performances in the films “O OUTRO LADO DA RUA ” (Brazil) and “CRÓNICAS” (Ecuador)

and the HORIZONTES AWARD, carrying €18,000 for the director of the winning film, to:

Donostia-San Sebastian, 24 September 2004


The Donostia-San Sebastián International Film Festival has created a new award named “Horizontes”, aimed at increasing knowledge of feature films produced totally or partially in Latin America, directed by filmmakers of Latin origin, set around or dealing with Latin communities in the rest of the world.

Eligible for this award are all of the feature films selected to form part of the “Horizontes” selection which have neither been previously presented at other Spanish Festivals nor commercially released in Spain.

This award carries a cash prize of Euros 18,000 for the director of the winning film.

Rules (2004). . Horizontes Award





RUY GUERRA
President
He was born in 1931 in Lourenço Marques, which is now called Maputo, in Mozambique, which was then a Portuguese colony. He took an active part in the political struggle in anti-racist and pro-independence movements before he left his native land when he was 19 years old. From 1952 to 1954, he studied cinema at the IDHEC in Paris where he began to work as an assistant cameraman and director’s assistant. Although he is better known as a director, Ruy Guerra is also an editor, director of photography, producer and actor (Werner Herzog’s Aguirre, der Zorn Gottes, 1972). Despite employing various styles, his films describe oppression and socio-economic exploitation in an aesthetically innovative way. Guerra has filmed in many places, but his name is associated with Brazilian cinema, as he is one of the pioneers of what was known as Cinema Novo. His first full-length film, Os Cafajestes (1963) was one of the movement’s rare commercial hits. Another two of his films, Os Fuzis (1964) and Os Deuses e os Mortos (1970), are considered to be seminal works in Brazilian cinema. In the late seventies, after Mozambique’s independence, he went back to his country to take part in setting up the Mozambican National Film Institute. In the eighties, he abandoned his radical treatment of political subjects and directed three aesthetically beautiful commercial films: Ópera do Malandro (1985), a musical comedy adapted from Chico Buarque’s work; A Fábula da Bela Palomera (1987), a period film narrating a love story based on a story by Nobel Prize winner Gabriel García Márquez; and Kuarup (1988), one of the very few super-productions in Brazilian cinema, which was a stunning interpretation of Antonio Callado’s novel. As well as making films, Ruy Guerra also directs and writes plays and composes lyrics for popular songs. At the present time he is Director of the Film School at Gama Filho University in Río de Janeiro. His most recent project is the feature film Mala hora, which will be shown at the San Sebastián Festival this year in the Films in Progress section.
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JORGE SÁNCHEZ
He was born in Córdoba, Veracruz (Mexico) on the 31st of May 1950. He began his film activities at the Film Club in the Faculty of Politics and Social Science. He dropped out of his Sociology degree and set up the Mobile Film Club (screenings for trade unions, peasants’ organisations, etc). He began to study Directing at the Film Training Centre, but he gave it up when he realised that he didn’t have the makings of a director, which is a profession he especially admires. With some friends he founded the distribution company Zafra-Cine Difusión. Later he would found Zafra Video and Cinematográfica Macondo, which are both still active. Through these he has distributed Latin American films, as well as what is known as art-house cinema ranging from Patricio Guzmán’s La Batalla de Chile to Wong Kar Wai’s In the Mood for Love. He has produced seventeen films, six of which have taken part in various sections at the Cannes Film Festival, from María Novaro’s Danzón, (Directors’ Fortnight 1991) to Arturo Ripstein’s Así es la Vida (Official Selection at Cannes 2000). He produced Arturo Ripstein’s La perdición de los hombres, which won the Golden Shell at the San Sebastián Festival in the year 2000, and he has also worked with Paul Leduc and the much-missed Tomás Gutiérrez Alea. He founded and was president of the Mexican Association of Independent Producers and the Latin American Audiovisual and Film Producers Federation. He has taken part as a jury member at Festivals in Sundance, Toronto, and Havana and in 1994 he formed part of the New Directors’ Jury at the San Sebastián Film Festival. He is a member of the Board of Directors of the new Latin American Cinema Foundation chaired by Gabriel García Márquez and the Cinemart Board in Rotterdam. He is currently Mexican Consul General in Río de Janeiro.
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DENIS W. DELAROCA
Denis W. DeLaRoca. Born in El Salvador and living in Los Angeles, California. Studies in Computer Science and Latin American Film History. Works in film journalism, film programming, film promotion and small magazine publishing. In the 80's, member Documentary Selection Committee and Programming Delegate for Latin America for the Los Angeles International Film Exposition -- FILMEX. In the 80's and 90's, Programming Delegate for the US for the International Film Festival of New Latin American Cinema in Habana, Cuba. In 1990, Programming Delegate for the US for the
International San Sebastian Film Festival. In 1993, Curator of Chicano and Latino Film and Video Retrospective for the International San Sebastian Film Festival. Since mid 80's, Programming Consultant on Latin American Cinema for various film festivals and cinematheques: San Francisco Film Festival, Sundance Film Festival, Toronto International Film Festival, Guadalajara International Mexican Cinema Muestra, University of California Los Angeles Film and Television Archives, University of California Berkeley Pacific Film Archives, French Cinematheque and others. Presently, Programming Delegate for Latin America for the Palm Springs International Film Festival, the Tribeca Film Festival in New York, the Seattle International Film Festival, Member of the Selection Committee of the Biarritz Festival of Latin American Cinemas and Cultures as well as Honorary Board Member of the Los Angeles Latino International Film Festival.
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