José Luis Rebordinos talks to us about his work, the Festival, today’s film scene and other aspects of life.
The opinions and comments of three members of the Festival Selection Committee open to discussion with the public: Quim Casas, Roberto Cueto, Jose Ángel Herrero-Velarde.
This year the Festival will be celebrating its 60th consecutive edition with the same enthusiasm felt the day it first saw the light on September 21st 1953. [+]
The theatre in Rome's Rebibbia prison. The performance of Shakespeare’s Julius Caesar comes to an end and the performers are rewarded with rapturous applause. The lights go out; the actors leave the stage and return to their cells. Six months earlier, the prison director and a theatre director approach the prisoners to discuss a new project, to put on Julius Caesar in the jail. The first step is the cast. The second, to study the text. Shakespeare's universal language will help the prisoners to identify with the characters. It's a long, difficult road, plagued with anxiety and hope. Those are generally the feelings that invade the prisoners in their cells after rehearsals. Who is Giovanni, the man who plays Caesar? And who is Salvatore, turned into Brutus? And what did they do to land in prison?
Born in San Miniato (Pisa), the Taviani brothers have always co-written and co-directed their films. They started working in the sixties and have directed both fiction and documentaries. They won the Palme d'Or at the Festival de Cannes in 1977 for the film Padre padrone, and with the Grand Jury Prize in 1982 for La notte di San Lorenzo. In 1986, the Venice Festival honoured them with a Golden Lion life achievement award. Their latest film Cesare deve morire (Caesar Must Die), won the Golden Bear at the last Berlin Festival and five David di Donatello awards.