| OPENING FILM |
|
|
Le fabuleux destin d'Améli Poulain, (Amelie
from Montmartre) Jean-Pierre Jeunet (France) |
| |
| CLOSING FILM |
|
•
|
The Man Who Wasn't There, Joel Coen (USA) |
| |
| NEW DIRECTORS |
|
•
|
Apsolutnih sto (Absolute Hundred), Srdan Golubovic (Yugoslavia)
|
|
|
Asuddelsole, Pasquale Marrazzo
(Italy) |
|
|
L'attente des femmes, Naguel Belouad (France-Algeria)
|
|
|
Autrement, (In another way) Christophe Otzenberger (France)
|
|
•
|
The Bank, Robert Connolly (Australia) |
|
|
De la calle, (Streeters) Gerardo Tort (Mexico)
|
|
•
|
Drift (Adrift), Michiel van Jaarsveld (Holland)
|
|
|
Elling, (Me, my firend, and I)Petter Naess (Norway)
|
|
•
|
Last Ball, Peter Callahan (USA) |
|
|
Paralelní Svety (Parallel Worlds), Petráclav (Czech
Republic) |
|
|
Point of view, (P.O.V.) Tómas Gislason (Denmark)
|
|
|
Le prix du pardon/Ndeysaan, (The Price of Forgiveness)
Mansour Sora Wade (France-Senegal) |
|
|
Salvajes, Carlos Molinero (Spain) |
|
|
Stiller Sturm (Silent Storm), Tomasz Thomson (Germany)
|
|
|
Stranded (Náufragos), Luna (Spain) |
|
|
El sueño del caimán, (Caiman's Dream)
Beto Gómez (Mexico-Spain) |
|
|
Un gos anomenat dolor (L'artista i el seu model), Luis
Eduardo Aute (Spain) |
|
|
Vidas privadas, (Private Lives) Fito Páez (Argentina-Spain)
|
| |
| FESTIVALS' TOP |
|
|
L'amore probabilmente, (Probably Love) Giuseppe Bertolucci (Italy-Switzerland)
|
|
|
La chambre des officiers, (Officer's Ward) François
Dupeyron (France) |
|
|
La ciénaga, (The Swamp) Lucrecia Martel (Argentina-Spain)
|
|
|
L'emploi du temps, (Time Out) Laurent Cantet (France)
|
|
|
Le fate ignoranti, (The Ignorant Fairies) Ferzan Ozpetek (Italy-France)
|
|
|
Intimacy, Patrice Chéreau (France) |
|
•
|
Je rentre à la maison (Vou para casa), (I'm
going Home) Manoel de Oliveira (Portugal-France) |
|
|
No Man's Land, Danis Tanovic (France-Italy-Slovenia-UK-Belgium)
|
|
|
La pianiste, Michael Haneke (France) |
|
|
Shi qi sui de dan che (Beijing Bicycle), Wang Xiaoshuai (China)
|
|
|
La stanza del figlio, (The Son's Room) Nanni Moretti (Italy-France)
|
|
|
Storytelling, Todd Solondz (USA) |
|
|
The Triumph of Love, Clare Peploe (Italy-UK) |
This
is an informative section which offers a complete overview of newly released films,
since it selects some of the best films already to have been presented at other
international festivals, within the section named, henceforth, Festivals' Top,
interesting works by new film-makers and some of the latest works by members of
the official jury.
One of the characteristics of this section
is its freedom. It is free to show films of different formats, lengths, styles
and genres; free to show the most avante garde cinema in every sense of the expression
and to give the most lively and critical audience the chance to share and interact
directly with directors. Its informal atmosphere and the direct contact between
the public and the people responsible for the films presented attract the attention
of the Festival's younger audiences together with the most rigorous critics.
