Christian is a divorced father devoted to spending time with his two daughters. He's a curator at a contemporary art museum, and the kind of guy who drives and electric car and supports the big humanitarian causes. He’s currently working on his next show, entitled The Square, an installation inviting passers-by to altruism, reminding them of their role as responsible fellow human beings. But sometimes it’s hard to live up to your own ideals: Christian’s meltdown in response to the theft of his mobile phone doesn’t exactly leave him in the best light... Meanwhile, the museum’s PR agency has created an unexpected campaign for The Square: the response is overblown and propels Christian headlong into an existential crisis. Golden Palm at Cannes.

A 23 year-old girl comes home after the breakdown of a relationship to find that a woman the same age as herself now features in her father’s life.

Muchos hijos, un mono y un castillo (Lots of Kids, a Monkey and a Castle) is about Julita's childhood wishes, and all three have been granted. When her youngest son realises that his mother has lost the vertebra of his murdered great-grandmother, kept for three generations, the family launches into an outlandish search among the weird and wonderful objects Julita has hoarded in her more than 80 years, revealing a very picturesque gallery of characters. In fact Julita is about to find the meaning of life. Winner of the Best Documentary Award at Karlovy Vary.

Made following the discovery of amateur footage shot in China in 1966 during the first and most radical stage of the Cultural Revolution, No Intenso Agora / In the Intense Now speaks about the fleeting nature of moments of great intensity. Scenes of China are set alongside archival images of the events of 1968 in France, Czechoslovakia, and, to a lesser extent, Brazil. In keeping with the tradition of the film-essay, they serve to investigate how the people who took part in those events continued onward after passions had cooled. The footage, all of it archival, not only reveals the state of mind of those filmed - joy, enchantment, fear, disappointment, dismay - but also sheds light on the relationship between a document and its political context. What can one say of Paris, Prague, Rio de Janeiro, or Beijing by looking at the images of the period? Why did each of these cities produce a specific sort of record?

Carlos Saura, a living legend. Felix Viscarret, a director who wants to make a film portrait of the great master. He comes up with a plan. He thinks it’s brilliant. He’ll show the intimate side of Saura through conversations between the genius and his 7 children. Everyone accepts. But Saura doesn’t like talking about the past. Viscarret insists. Saura likes painting. And photography. Viscarret doesn’t give up. He tries again. Saura likes painting. And photography.

1998, Nalchik, the North Caucasus, Russia. 24-year-old Ilana works in her father’s garage to help him make ends meet. One evening, her extended family and friends gather to celebrate the engagement of her younger brother David. Later that night, the young couple is kidnapped, and a ransom demand delivered. In this close-knit Jewish enclave, involving the police is out of the question. How will the family raise the money to save David? Ilana and her parents, each in their own way, will go as far as necessary, whatever the risks to themselves…

Jesús and Nuria have a problem: no matter what they do, they’re always the laughing stock of their family and friends, stupidly making a fool of themselves. He is a wedding and christening photographer, but believes he has a calling to show his true talent in ‘artistic’ photography. She believes that after her temporary crises she’ll start to have a more interesting life. Together they must decide whether being so pathetic is just a passing virus or if they actually have a chronic disease. Vergüenza is a ten-episode television series.

The true story of the notorious drug kingpin Pablo Escobar, who killed thousands, made billions and struck up an unlikely love affair with his polar opposite, a glamorous television host named Virginia Vallejo.

It's the hot, sun-drenched summer of 1983 and Elio is at his parents' country seat in northern Italy. The 17-year-old idles away the time listening to music, reading books and swimming until one day his father's new American assistant arrives at their large villa. Oliver is charming and, like Elio, has Jewish roots; he is also young, self-confident and good-looking. At first Elio is somewhat cold and distant towards the young man but before long the two begin going out together on excursions. Elio begins to make tentative overtures towards Oliver that become increasingly intimate - even if, as Oliver says, 'one can't talk about such things'. As the short summer progresses, the pair's mutual attraction grows more intense.

Paris, in the early 1990s. A group of young activists multiply their actions to raise awareness of AIDS. Nathan, a newcomer to the group, has his world shaken up by the radical stance and energy of Sean, who throws the last of his strength into the struggle. Grand Prix at Cannes.

A couple entangled in a messy divorce have no option but to join forces and search for their son when he disappears during one of their arguments. Jury Prize in Cannes.

Two timid people make the chance discovery that they have the same dream every night. Confused and frightened by the revelation, they decide to accept the strange coincidence and set about recreating the experience in real life. A complicated task; the more they try, the further away their goal appears to be. In spite of it all, their clumsy attempts will topple their personal interior barriers and end up uniting them to one another.

The Big Sick tells the real-life story of Kumail and Emily, a couple who meet after one of his comedy sets. However, what they thought would be just a one-night stand blossoms into the real thing, despite their cultural differences. The situation complicates everyone’s lives given the expectations harboured by Kumail’s traditional Muslim parents. And to make matters worse, Emily is beset with a mysterious illness...

Ben and Rose are children from two different eras who secretly wish that their lives were different. Ben longs for the father he's never known, while Rose dreams of a mysterious actress whose life she chronicles in a scrapbook. When Ben discovers a puzzling clue and Rose reads an enticing newspaper headline, they both set out on epic quests to find what they're missing.