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Two impersonal faces, upright and defiant for the section of first and second works by their makers and their new approaches.

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A palm tree, a dog and a boy looking over a wall to prompt the idea of a double reality or point of view illustrate the section which seeks to reflect Latin American reality without stereotypes by means of feature films totally or partially produced in Latin America, directed by filmmakers of Latin origin or who set their works against the backdrop or subject of Latin communities all over the world.

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Freestyle trampoline and the death-defying triple somersault, the most difficult swimming discipline, represent the most open of the Festival sections, where there are no rules, no limits of style or running time: shorts, medium-length, full-length, fiction, non-fiction, animations, series, audiovisual installations, new discoveries and contemporary classics.

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The poster plays with the idea of special pieces, a grid featuring birds on square, triangular or circular pedestals, for a section where the jury is the audience and the films competing for the award already have the backing of critical acclaim and/or accolades at other festivals.

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The pure enthusiasm of childhood, added to their imagination and talent free from obstacles of the mind, represents the Festival's competitive short film section, signed by students from film schools all over the world, this year renamed 'Nest', a word suggesting a phonetical play on the word 'next'.

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In the forefront, two Japanese chefs slice ingredients; in the background, a camera. These are the two angles of Culinary Zinema, a section presenting fiction and non-fiction films looking at gastronomy and food from fields including education, science, agriculture or the restaurant world in general, accompanied by themed dinners.

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The image of the British director and screenwriter Muriel Box and the characteristic closing of one eye to obtain a clearer view when looking through the camera preside over the poster for the retrospective, which plays with illustration in the part of the cinematographic equipment.

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Films can now be submitted online for participation in the 66th edition of the San Sebastian Festival

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