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65th San Sebastian Film Festival
22/30 September 2017 - #65ssiff

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You are in: Home > 2004. 52nd Edition  > Sections and Films
Je t’aime... moi non plus
Horizontes Specials
Je t’aime … moi non plus

As soon as we take an interest in the stormy relationship between artists and critics, the anecdotes are inexhaustible. Artists rarely forget the murderous little sentence that has marked them for life. But a critique can be good too, it can change an artist?s life, making him feel he has been understood, loved, penetrated. Something close to a psychoanalytical transfer. Curiously, the relationship between an artist and a critic, although unavoidably public, is always intimate. This documentary looks at this relationship with testimonies by numerous film directors, critics, distributors and promoters.
Born in Lisbon, she studied Philosophy, starting her career as a film and theatre actress in 1980. Her filmography as an internationally famous actress includes titles like Henry & June (1989), A divina comédia (The Divine Comedy, 1991), Huevos de oro (Golden Balls, 1993), El detective y la muerte (Detective of Death, 1993), Pulp Fiction (1994) or Três irmãos (Two Brothers, My Sister, 1994) for which she won the Volpi Cup for Best Actress at the Venice Festival in 1994. She made her feature directorial debut in 2000 with Capitães de Abril (April Captains), screened in the Official Selection at Cannes the same year. She had previously directed the medium-length film A morte do principe (1991), based on the work of Fernando Pessoa. She sat on the Official Jury at San Sebastian in 1996.
Maria de Medeiros
Joshua Phillips, Agustí Camps
Frederic Charcot (laguntzaileak / assisted by / ayudantes: Kevin Accart, Jacob Garet)
Soinua / Sound / Sonido: Louis Hanon
Cannesen egindako elkarrizketak / Cannes interviews collaboration / Entrevistas en Cannes: Robert Sender
Running Time
81 m.
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Associated Institutions:
© San Sebastian International Film Festival | Developed by: Yo Miento Producciones

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