Patrizio Etxebeste decides to resign from the office of mayor for health problems, but few know the real reason: the recent corruption scandals uncovered in nearby towns lead him to believe that his may be the next head to roll. Who better to take up the reins and maintain the control than Mª Luisa, his faithful wife? But it won’t all be quite as simple as it once might have been. His decorative wife decides not to be quite so decorative and starts taking action. The controlling man doesn’t control things quite as much as he thought he did or would like to and he has to adapt, to evolve. All crises, whether in the family, politics or social spheres, bring tensions and problems. But they also bring change and important opportunities. Sequel to Aupa Etxebeste! (2005).

Faced with life changing news, María, a fifty-five-year-old Spanish woman from Bilbao, chooses to take a trip to Greece with her closest girlfriends against the advice of her son and doctors. A spontaneous decision leads her to the island of Nisyros, a tiny haven of peace and calm that immediately feels like home. While exploring the beautiful island and soaking in its hidden treasures, she meets Stefanos and finds herself falling in love against all odds.

In the Mediterranean, the sea around which our civilisation took shape, thousands of refugees wait for Europe to take them in. At the doors of the old continent, they struggle to keep their hope alive despite the precarious conditions under which they survive every day. Varados (Stranded) looks at the everyday life of these long-term refugees. In Athens squats or in refugee camps spread across the country, these men and women still wait for the documents that will allow them to continue with their lives.

Raquel is a desperate woman. Her personal situation has driven her to the point where she needs 35,000 euros (colloquially known as '70 binladens'), and she needs them in the next 24 hours. Her last hope is a bank loan. When two armed robber burst into the place just as she’s about to seal the transaction the situation will become complicated for Raquel, who has no choice: time’s running out and she has to leave there with the money, no matter what the cost.

The first round-the-world trip. A voyage into the unknown which began in the command of Magellan and was completed by Juan Sebastián Elcano. Storms, hunger, tribes... Five ships set sail from Seville. Three years later, only one made it back. An incredible adventure around a planet whose round shape was finally demonstrated.

Imagine a woman. Around 45 years old. Slender, attractive, but somewhat ravaged by age. Can you see her? Now put her in a stretch of wasteland. Alone. Sitting on the bonnet of her saloon car. Waiting. She’s waiting for someone. She’s nervous. Someone’s coming towards her from the distance. It looks like a boy. Yes, it’s a boy, a 16-year-old kid pedalling his bike. He stops in front of her. They look at one another. Uncomfortable. They don’t know what to say. They don’t know what to do. He sees her smoking. “You told me you’d stopped”, he says to her. “And you told me you were older”, she answers, half-nervous, half-angry. “So what now?” he insists, nervous, very nervous. That’s exactly the question. What now? What would happen if a 45-year-old woman and a boy of 16 were to get to know one another online and arrange to meet for sex? That’s the basic premise of El doble más quince.

Dirty Martini and Tigger!, stars of the New York underground scene, reveal some of the secrets of their provocative and remonstrative forms of artistic expression in New York’s Off-Off-Broadway. Meanwhile, they will help us to understand from their everyday intimacy the reasons, the struggles and the keys that keep them in their place as the figures and references of the burlesque revival, more than 20 years after the phenomenon exploded in the New York of the 90s.

I thought the legend was marvellous and outrageous. But what meaning could we give it today? I publish an announcement offering to make a film based on that old story. Lili, Aña and Ekaitz reply with curiosity and an eagerness for cinema. Together they address the tale of the three waves to make it their own.

The film follows the eventful tale of the inhabitants of a fictional Castilian village nestling in the heart of the Basque Country called Tellería, which, after 700 years of history, wants to become part of the Basque territory. When the Basque government refuses their request to join the region, an intriguing discovery in the local shrine leads the intrepid villagers to seek annexation to one of the world’s most highly developed nations: Switzerland.

Two women meet at an old apartment in San Sebastian (in the Basque Country). One is alive and a filmmaker; the other is called Elvira Zipitria Irastorza, who died in 1982. The filmmaker discovers that she’s living in a place heavy with an invisible presence, with myriad barely audible echoes. Some ring out from the Franco dictatorship, when Elvira created a clandestine school in the Basque language. The former tenant of the house was an important figure in 20th century Basque culture and politics. But she remains in the shadows. The filmmaker, driven by the need to find out more about the woman, starts to investigate. An anything but easy quest will soon take the shape of performances. Making the film represents the ultimate way to approach Elvira.

It all started in July 2018. Groups of migrants coming from Africa endeavouring to cross the border with France started arriving at Irun train station. They would sleep in the street. The charities working in the town succeeded in convincing the squatters’ movements to take a hand in the matter by letting them use their places. The wave of generosity spread to the people of Irun.

David Imaz had to flee from the Basque Country in the mid-seventies, repudiated by his people, accused of betrayal. Despite having found happiness in California, his past still weighs heavily on him and the feeling of guilt prevents him from being able to peacefully enjoy the last days of his life. Joseba Altuna, his childhood friend, comes to say goodbye and to settle the score while he's at it. It's been a long time since they saw one another, but the time has come to face the truth. Based on the novel of the same name by Bernardo Atxaga.

Higinio and Rosa have only been married for a few months when the Civil War breaks out, representing a serious threat to his life. Helped by his wife, they decide to use a hole dug into their own home as a provisional hiding place. The fear of potential reprisals and the love they feel for one another will condemn them to an imprisonment that will last for more than 30 years.

Jordi was born 51 years ago with cerebral palsy. Although he can’t speak, he tries to communicate using his letter chart. That’s how he tells Maider, the director of the film, that at the age of 21 he felt God talking to him for the first time. But today, now that he has moved out of his parent’s house into a home, he no longer feels God. Once a year, Jordi makes a pilgrimage to the Sanctuary of Our Lady of Lourdes, where he searches for his connection with God, despite not knowing if God will come back one day. Debut film. Project developed at the Ikusmira Berriak residencies programme. REC Grabaketa Estudioa Post-Production Award.

A summer day in the municipal swimming pool: heat, teenagers, families, couples, dips, beers and sandwiches in the bar. An adolescent medium tries to locate someone by moving a pendulum over a map of Spain. In the midst of the ordinary goings on something extraordinary happens: a boy on the verge of drowning is saved by a person who walks on the water of the pool to get to him. The miracle is accepted naturally by the other bathers and the summer afternoon continues as if nothing had happened. 

As Hélène Cixous would say, we precisely live in this time when the conceptual basis of an age-old culture is being undermined by millions of moles of a species never seen before.

Almost two decades ago, the Itoiz dam flooded seven villages and three natural reserves on the Pyrenean hillside in Navarra. The ecologist group Solidari@s con Itoiz registered the fight against its construction. Today, those who were there dream of the land lying beneath the water on video. Their voices and gestures come together to tell the tale of an individual and collective mourning still suffered today.

Cuba, summer 1994. In full swing of the Special Period, one of the biggest crises in the country’s history, thousands of Cuban rafters try to make the illegal crossing to the United States, not knowing if they’ll survive. With the start of the holidays, Carlos sets about enjoying a carefree August, kicking around with his friends and falling in love for the first time. He knows very little about his country’s uncertain future, until, one at a time, his neighbours and friends leave in search of a better life as friendships break and families separate. In this hot summer, Carlos’s world will turn upside down.  

Nobody's waiting for Amador on his release from jail after serving time for having caused a fire. He returns home to an isolated hamlet in the mountains of Lugo, where he will once again live with his mother, Benedict, his dog Luna and their three cows. Their lives pass to the pace of nature, until everything changes when a violent fire razes the area to the ground.

"In Chile, when the sun rises, it must climb hills, walls and mountain tops before reaching the last stone of the Cordillera. In my country, the Cordillera is everywhere. But for the Chilean citizens, it is an unknown territory. After going North to make Nostalgia for the Light and South for The Pearl Button, I now feel ready to film this immense backbone and to explore its mysteries, its powerful revelations of Chile's history past and present" (Patricio Guzmán). L'Oeil d'Or Award for Best Documentary at the Cannes Festival.

The personality of Bittor Arginzoniz and the place where he lives make his cuisine unique. The possibilities of cooking with charcoal have not been exhausted, and a return to its roots may be admirable if executed with respect and vocation. Self-taught, Bittor has made his restaurant Etxebarri the third best in the world, and minimalism his trademark. The nature that saw his birth is its landscape; the grill and the finest products, the materials he works with. And the silence. Silence in its walks, in nature, in the coals, in the choice of adequate product and the exact point of its preparation.

A journey around the universe of Idiazabal cheese in the company of exceptional characters like Eli Arrillaga who, widowed at the age of 24 years, had to choose between following her husband’s trade of shepherding, or returning to her urban environment in Zarautz. Eli continued to work as a shepherd and is today one of the most important producers of this cheese. Exceptional characters like Juan Mari and Elena Arzak, Eneko Atxa, Joan Roca, Martín Berasategui, Pedro Subijana and Andoni Luis Aduriz, who have absolutely no doubts as to the importance of an artisan, high quality produce that fits perfectly into their demanding culinary procedure. On the Urbía, Aralar and Gorbea mountain ranges, in the highlands of Navarre, the shepherds lavish care on their herds, their prized latxa sheep, with a view to obtaining a product of fine quality, capable of winning the annual cheese competition in Ordizia.

The documentary analyses the relationship between producers and chefs based on their own testimonies. It touches on subjects such as the importance of the produce in the kitchen, sustainability, the generational takeover and promotion of the rural world.

The Green Wave narrates the struggle for legal abortion in Argentina, through a journey of more than 5,000 kilometres, accompanied by the victims’ brave testimonies and the key female voices of those who played the lead part in this memorable voyage. Special screening at the Cannes Festival.

Resting on the table is the map of my last trip to the Svalbard archipelago, at the North Pole. That map, crumpled and broken, has become a form of mental cartography, a territory of painting and drawing, a new and exciting space for the imagination.

Chennu committed his first crime when he was 15 years old: being a street kid. And then he entered hell: Pademba Road. The adult prison in Free­town. In hell, Mr. Sillah is in charge, and there is no hope. Chennu got out after four years. Now he wants to go back.

Labo is a stroll through the memory of the former Francisco Franco Labour University of Tarragona, not only through its buildings but also the remembrance of those who inhabited them. It is a journey into our past that will enable us to better understand the present and the future.

A summer day in the municipal swimming pool: heat, teenagers, families, couples, dips, beers and sandwiches in the bar. An adolescent medium tries to locate someone by moving a pendulum over a map of Spain. In the midst of the ordinary goings on something extraordinary happens: a boy on the verge of drowning is saved by a person who walks on the water of the pool to get to him. The miracle is accepted naturally by the other bathers and the summer afternoon continues as if nothing had happened. 

As Hélène Cixous would say, we precisely live in this time when the conceptual basis of an age-old culture is being undermined by millions of moles of a species never seen before.

After a period of time without seeing his mother, Angel Mari plucks up the courage to visit her at the nursing home to which she has been admitted. He doesn’t like seeing how his mother has disappeared under the skin of a senile old woman who does not recognise her own children.

The arrival of two Slovenian bears in the Pyrenees of Navarre alters their balance. The bear has been a natural inhabitant of the Pyrenees for millions of years. However, its disappearance led to the transformation of the area. The presence of these new inhabitants brings old conflicts back to the fore.

Guatemala, 2018. The whole country hangs on the trials of the soldiers who started the Civil War as the victims make their statements one after the other. Ernesto, a young anthropologist working for the Forensic Foundation, works to identify those who disappeared during the conflict. One day while listening to an old woman tell her story, he thinks he’s found a clue which could take him to his father, a guerrilla fighter who also disappeared during that period. Against his mother’s wishes, he throws himself body and soul into the case with the aim of learning the truth.

Ondarroa, the Basque Country, October 1936. Franco’s troops enter the town; the family of Karmele Aurresti, a young nurse aged 24, flee to France by boat. This film tells the tale of Karmele, first of all as a refugee in France, where she meets other young Basques in Paris and falls in love with Txomin, an idealistic and committed musician with whom she forms a family of exiles in Caracas (Venezuela). Later, the return to Spain under Franco, the conspiracies and struggle against the dictatorship, the secrecy and the reprisals; and the return to exile.

In 1990, Negu Gorriak played their first concert outside Herrera de la Mancha prison and later sold a VHS recording of the event. The tape became a symbol for followers of the Abertzale nationalist left wing. Jo ta ke is a video essay which uses images from the video and the director’s own memories as its starting point. It opens up reflections on the construction of national identity and the links between fatherland, father and patriotism. The project relates the author's political awakening in the politicised and polarised context of the Basque Country.