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Z365" or "Festival all year round" is the new strategic point of the Festival in which converge investigation, accompaniment and development of new talents (Ikusmira Berriak, Nest); training and cinematic knowledge transfer (Elías Querejeta Zine Eskola, Zinemaldia + Plus, Filmmakers' dialogue); and investigation, disclosure and cinematic thought (Z70 project, Thought and Discussion and Research and publications).
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Marta Etura (San Sebastián) studied at the Cristina Rota acting school, going on soon afterwards to appear in her first film, Sin vergüenza / No Shame (Joaquín Oristrell, 2001). She has starred in films by directors including Alberto Rodríguez (El hombre de las mil caras / Smoke & Mirrors, Official Selection, Silver Shell for Best Actor going to Eduard Fernández, 2016); Jaume Balagueró (Mientras duermes / Sleep Tight, 2012); Daniel Sánchez Arévalo (Azuloscurocasinegro / Dark Blue Almost Black, Made in Spain, 2006), winner of an award at the Venice Festival’s Giornate degli Autori), and Manuel Gutiérrez Aragón (La vida que te espera / Your Next Life, 2004, which competed in Berlin)
She landed the Goya for Best Supporting Actress for Celda 211 / Cell 211 (Daniel Monzón, Made in Spain, 2010), which was presented at the Giornate degli Autori in Venice, and she has been nominated three other times: as new actress, for La vida de nadie (Eduard Cortés, 2002), as a supporting actress, for Para que no me olvides / Something to Remember Me By (Patricia Ferreira, 2005), and as leading actress, for Azuloscurocasinegro. She has recently appeared in Calle Málaga (Maryam Touzani, 2025), Hugo 24 (Luc Knowles, 2026), Karma (Guillaume Canet, 2026) and Los relatos (Miguel del Arco, 2026)
In television she has starred in series such as Terra Alta (Eduard Cortés); Las largas sombras (Clara Roquet); La sonata del silencio, for which she bagged two nominations for best leading actress at the Feroz and Iris Awards, and Vientos de Agua and Los enviados / The Envoys, both by Juan José Campanella.
With ties to theatre and dance since the early days of her career, she has worked in plays including Ilusiones, by Miguel del Arco; Antígona, by Mauricio García Lozano; Hamlet, by Juan Diego Botto, and Despertares y celebraciones, by Cristina Rota; she has also worked with acclaimed dance companies such as 10&10, in Libialmo, and Losdedae, in Return and Santa Teresa.
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