Z365" or "Festival all year round" is the new strategic point of the Festival in which converge investigation, accompaniment and development of new talents (Ikusmira Berriak, Nest); training and cinematic knowledge transfer (Elías Querejeta Zine Eskola, Zinemaldia + Plus, Filmmakers' dialogue); and investigation, disclosure and cinematic thought (Z70 project, Thought and Discussion and Research and publications).
Catherine Paillé (Les Sables d’Olonne, France) studied at La Fémis in Paris. In 2006 she wrote her first feature film, L’apprenti / The Apprentice (Critics' Week Award, Venice Film Festival, 2008), going on to work with many directors of her generation: Jean-Bernard Marlin, (Shéhérazade, Semaine de la Critique, Cannes 2018. Jean Vigo Prize, 2018. César Award for Best First Film, 2019); Guillaume Brac (A l’abordage / All Hands on Deck, Berlinale Panorama, 2020); Vincent Maël Cardona (Les Magnétiques / Magnetic Beats, Quinzaine des Cinéastes, Cannes 2021. César Award for Best First Film, 2022).
She has also co-written with foreign directors, such as Franco Lolli (Gente de Bien, Special Mention at Horizontes Latinos in San Sebastian, 2014) and Kiyoshi Kurosawa (Daguerreotype, 2016). More recently, she has written a stop-motion movie, Savages (Locarno Film Festival, 2024; Annecy Animation Film Festival, 2024; Cannes Official Selection, out of competition, 2024), directed by Claude Barras.
She is currently writing with Franco Lolli and Claude Barras, continuing their longstanding collaboration.



