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You are in: Home > 2014. 62nd Edition  > Industry > Newsflash
Newsflash
 
09-27-2014

“(…) the beginning of the film is very powerful (…)”

O. Rodríguez Marchante, ABC

“A well-crafted film with brilliant performances by its main character, Mathieu Kassowitz, and its young actors, both when they are children and when they reach adolescence.”

Juan Zapater, DEIA

“The interesting theme explored in Cédric Khan’s latest film is must-see cinema.”

Mikel G. Gurpegui, EL DIARIO VASCO ESPECIAL

“The narrative is solid, and it is a film that hooks the viewer throughout (...)”

Carlos Boyero, EL PAÍS

“The subject matter is therefore doubly exciting, even more so because of the realism with which it is portrayed, as it is produced by the Dardenne brothers.”

Mikel Insausti, GARA


“Albert Pla’s monologue is memorable.”

Gontzal Agote, BERRIA

“(…) a wild comedy with splashes of gore (…)”

Jorge F. Mendiola, EL DIARIO VASCO ESPECIAL

“(…) a savage film that places all the casino chips on the table.”

Harkaitz Cano, EL DIARIO VASCO ESPECIAL

“The soliloquies of Raúl Arévalo and Albert Pla are memorable”

Pedro Vallín, LA VANGUARDIA


“Real stories constructed outside the bounds of official rhetoric.”

Urtzi Urkizu, BERRIA


“The emphatic, incorruptible truths of children are explored in the vigorous documentary ‘I am Haiti’ (Zinemira).”

Urtzi Urkizu, BERRIA


“Fascinating and frenetic in its black and white scenes loaded with pure, federal-district grays (...)”

Begoña del Teso, EL DIARIO VASCO ESPECIAL


“(...) no other film is more at home in the ‘Pearls’ section than the tale, the legend, the fable of Princess Kaguya, dreamed up and created by someone who deserves our love and respect and whose filmography awakes nostalgia within us.”

Begoña del Teso, EL DIARIO VASCO ESPECIAL

“This film invites us to come and enjoy art in two-dimensional form; it offers us a visual treat and a good excuse to delve into a dreamlike, adult universe splashed with watercolour tones (...)”

Koldo Landaluze, GARA


“They have such heart, strength, and exuberance that they do not falter, the camera does not stutter, and the script does not fall out of their hands.”

Begoña del Teso, EL DIARIO VASCO ESPECIAL

“Espinosa and Farías manage to convincingly convey these silent emotions thanks to a good use of photography and solid performances by a cast that manages to transmit the intensity of measured dialogue that breaks the dictatorship of silence (…)”

Koldo Landaluze, GARA


“The story of ‘Escobar: Paradise lost’ is told with fluidity between eras, worlds, and morals.”

Luis Martínez, EL MUNDO

“Del Toro’s great creation, in an important but secondary role (...) stands out in this film which strays from the biographical genre and leans towards that of the adventure thriler.”

Pedro Vallín, LA VANGUARDIA


“Directors Kristina Grozeva and Petar Valchanov do the title justice and treat us to a true lesson in filmmaking.”

Víctor Esquirol, GARA


“Confirmation that Alexander Nanau is a documentary-maker in the truest sense of the word.”

Víctor Esquirol, GARA


“But, aside from the freshness and authenticity that the film exudes, it is also important to underline that until now no-one had done something similar here (...)”

Xabier Mendiguren Elizegi, NOTICIAS DE GIPUZKOA


“Filmed entirely in 16mm in spectacular locations (…), producer De Kersauson and director Clement Beauvais explore a modern day return to manual work through the passion of motorcycle enthusiasts who have found a unique path to a kind of fulfillment.”

Bob Flynn, VARIETY.COM


“(…) somberly seductive (…) this tender romance unfolds like an episode from another century, paying the sort of careful attention to social boundaries you’d expect to find in a classic forbidden-love novel.”

Peter Debruge, VARIETY

 
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