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You are in: Home > 2020. 68th Edition  > Industry > Newsflash
Newsflash
 

Our Newsflashes provide daily updates on the media repercussion enjoyed by the films selected for the different Festival sections and the list of professional activities scheduled for the following day. Newsflashes are sent out to all industry professionals accredited.

09-22-2020

‘Satô explores a parent-child story with many layers’. Harri Fernández, Noticias de Gipuzkoa


‘A film full of joy, life and great music; not to be missed by fans of Matt Dillon and Latin Jazz’. Mikel Zumeta, Berria


‘The director uses all the expressiveness and subtlety of his language to tell a story from the different perspectives of two teenagers who live in an American military base located in the Italian region of Veneto’. Oti R. Marchante, ABC

 

‘Guadagnino finds a visual rhythm here which is interesting to tap into’. Fionnuala Halligan, Screen Daily


‘A guy as big, free and wild as [El Drogas] has found it well within his capabilities to steal more than a moment of glory from the other geniuses from the world of music who have been portrayed in the same SSIFF programme’. Begoña del Teso, El Diario Vasco


‘Ekain Irigoyen masterfully tells the story of these two people who live [in the street]’. Amaia Garcia, Berria


‘Asier Altuna chooses not to tread carefully in his portrayal of the great man and places the camera behind the protagonist to bring the viewer closer to a place as private as the kitchen of his restaurant’. Koldo Landaluze, Gara


‘Nomadland is beautiful, serene, deeply human, and perhaps the film of the year’. Mikel G. Gurpegui, El Diario Vasco

 

‘Film-maker Chloé Zhao and Frances McDormand at the height of her acting career have combined their respective talents to produce a marvellous work of sensitivity’. Koldo Landaluze, Gara


The Father does something that few movies about mental deterioration in old age have brought off in quite this way, or this fully. It places us in the mind of someone losing his mind’. Owen Gleiberman, Variety


‘Suzanne Lindon makes her acting and directorial debut with remarkable assurance – and success’. Wendy Ide, Screen Daily

 
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