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Z365" or "Festival all year round" is the new strategic point of the Festival in which converge investigation, accompaniment and development of new talents (Ikusmira Berriak, Nest); training and cinematic knowledge transfer (Elías Querejeta Zine Eskola, Zinemaldia + Plus, Filmmakers' dialogue); and investigation, disclosure and cinematic thought (Z70 project, Thought and Discussion and Research and publications).
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Eleven films shown at the San Sebastián Festival have bagged accolades in 23 of the 25 Goya Awards feature film categories, at its 40th edition, presented by the Academy of Cinematographic Arts and Sciences of Spain. Los domingos / Sundays, the Golden Shell of the 73rd edition, was awarded best film.
The films presented at the San Sebastián Festival racked up more recognitions than ever in the history of the Goya Awards.
Los domingos / Sundays, helmed by Alauda Ruiz de Azúa, winner amongst many others of the Golden Shell for Best Film and the Irizar Basque Film Award, garnered five busts: best film, director, original screenplay (Alauda Ruiz de Azúa), leading actress (Patricia López Arnaiz) and supporting actress (Nagore Aranburu).
Maspalomas, directed by Jose Mari Goenaga and Aitor Arregi, for which Jose Ramon Soroiz collected the Best Leading Performance Silver Shell, garnered the Goya for the leading actor (Soroiz).
Los Tigres, directed by Alberto Rodríguez, an Official Selection competitor and winner of the Jury Prize for Best Cinematography (Pau Esteve), racked up the award for the best special effects (Paula Gallifa Rubia, Ana Rubio).
Flores para Antonioby Elena Molina and Isaki Lacuesta, shown as an Official Selection Special Screening, bagged the Goya for best original song (Alba Flores, Sílvia Pérez Cruz).
Albert Serra's Tardes de soledad / Afternoons of Solitude, winner of the Golden Shell at the 72nd edition, was chosen as best documentary.
Dolores Fonzi's Belén, an Official Selection competitor and winner of the Silver Shell for best supporting performance (Camila Plaate), picked up the laurel for best Ibero-American film.
La cena / The Dinner,by Manuel Gómez Pereira, which had its world premiere at the RTVE Galas, scooped up the Goyas for adapted screenplay (Joaquín Oristrell, Manuel Gómez Pereira, Yolanda García Serrano) and costume design (Helena Sanchis).
Affeksjonverdi / Sentimental Value by Joachim Trier, screened as part of the Perlak selection, was named best European film.
Ciudad sin sueño / Sleepless City, by Guillermo Galoe, screened in the Perlak section, bagged the Goya for best newcomer actor (Antonio 'Toni' Fernández Gabarre).
Sirāt, by Oliver Laxe, programmed in Made in Spain after landing the Jury Prize at Cannes, was the most awarded film, bagging six busts: best cinematography (Mauro Herce), editing (Cristóbal Fernández), sound (Amanda Villavieja, Laia Casanovas, Yasmina Praderas), original score (Kangding Ray), production supervision (Oriol Maymó) and production design (Laia Ateca Font).
Sorda / Deaf, directed by Eva Libertad, screened in Made in Spain after bagging awards in Berlin and Málaga, picked up the Goyas for best new director, supporting actor (Álvaro Cervantes) and newcomer actress (Miriam Garlo).
Actress Susan Sarandon, recipient of the Donostia award in 1995, received the International Goya.
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