Álvaro wants to be an author, but everything he puts down on paper rings false, pretentious and insipid. He works as a clerk at a notary’s office in Seville and his life is dull, only coloured by his dreams. His wife, Amanda, is quite the opposite. She’s always had her feet firmly on the ground and has never dreamt of becoming an author. However, she sets out to write and produces a bestseller. The ironies of life. Separation is inevitable. Just then, Álvaro decides to fulfil his dream: to write a great novel. But he can’t; he has neither the talent nor the imagination. Guided by Juan, his writing teacher, he studies the fundamentals of the novel, until discovering one day that fiction is in fact based on reality. Álvaro starts manipulating his neighbours and friends to create a story, a real story bigger than fiction.

Having fought in the First Carlist War, Martin returns to his family farm in Gipuzkoa only to find that his younger brother, Joaquín, towers over him in height. Convinced that everyone will want to pay to see the tallest man on Earth, the siblings set out on a long trip all over Europe, during which ambition, money and fame will forever change the family’s fate. A story based on true events.

On the edge of adulthood, Andrew yearns to find his purpose as a young African-American in today's America. With his mother longing to find more to her life than parenting, Andrew is forced to take on the mounting pressure of family responsibility. His search for connection with an absent father, leads him to a dangerous crossroads.

During an outbreak of the bubonic plague in the magnificent Seville of 1587, Mateo, a former soldier, returns, honouring his word to find and rescue a dead friend’s son from the city. Previously, Mateo had been forced to flee the city to save his life, having been sentenced to death by the Inquisition for printing forbidden books. Before he can complete his task, Mateo is arrested by the Inquisitor’s bailiffs, who promise to pardon his life in exchange for solving a series of crimes of diabolic overtones being committed in Seville. Premiere of the first two episodes of the new TV series directed by Alberto Rodríguez.

Jack and his three siblings struggle to survive at the rundown Marrowbone farm. Despite the blow of their mother’s early death, the four brothers have created in this remote and labyrinthine spot a refuge suited to their needs, safe from the outside world and with no adult help whatsoever. They stay together, observing their mother’s last wish; but the danger closing in around them isn’t to be found outside the farm. Strange noises and occurrences start shaking Marrowbone’s old walls, as if haunted by an ancient curse. With no other option but to stay in the mansion, the four brothers will have to find a way to overcome the threatening ominous presence.

The lives of Luis and Marta are abruptly paralysed. Lies, guilt and fear put the couple’s stability and love to the test.

Alberto García-Alix. La línea de sombra is the portrait of one of the most important photographers on the Spanish artistic scene, reference of an entire generation. A direct testimony of the lights and shadows through which Alberto García-Alix has had to make his way in order to find his path. Narrated from the intimacy of his studio, the film takes the shape of a voyage between the present and the past. A dialogue between his life and work.

In a far-off country at the end of the world Tamara, aged 12, lives under the wing of charismatic cult leader Miguel, a man she adores. That summer the girl will be given a mission: to have a holy child with him immediately she has her first period. Tamara realises that the life she wants for herself is not the same as the fate imposed on her. Her disobedience will lead to her violent development from child to woman, forcing her to gain her freedom in a way she had never imagined. 

Marina is a young waitress and wannabe singer; Orlando owns a printing company. Together they plan their future. When Orlando dies suddenly, Marina has to stand up to his family and society to show them what she truly is: a complex, strong, forthright and... fantastic woman.

Bolting from his first ever heist, Reynaldo Galíndez, alias 'Rey', lands in the patio of the house inhabited by Carlos Vargas, a retired security guard. Vargas offers a deal: the young boy will repair the damage to his home in return for not being handed over to the police. The lessons given to the teenager by the former guard develop into a relationship not unlike the old legends of educating a king (for the “Rey” of his name, meaning “king”). But the agreement will start to fall apart when the loose ends of the robbery Reynaldo had been involved in start closing in around them. Films in Progress Industry Award and CAACI / Ibermedia TV Films in Progress Award in 2016.

Muchos hijos, un mono y un castillo (Lots of Kids, a Monkey and a Castle) is about Julita's childhood wishes, and all three have been granted. When her youngest son realises that his mother has lost the vertebra of his murdered great-grandmother, kept for three generations, the family launches into an outlandish search among the weird and wonderful objects Julita has hoarded in her more than 80 years, revealing a very picturesque gallery of characters. In fact Julita is about to find the meaning of life. Winner of the Best Documentary Award at Karlovy Vary.

Plague: From the Latin plague ‘blow’, ‘wound’. Meaning: Massive and sudden appearance of living beings of a same species which cause serious damage to animal or plant populations. Abundance of something harmful.

Plus Ultra is Spain’s motto. It was used to encourage seafarers to conquer new lands, forgetting Greek mythology’s warning: Non Terrae Plus Ultra (No Land Beyond). The Canary Islands – test bench for the tactics used to colonise America – become the scene of a fable about the territory.

Jesús and Nuria have a problem: no matter what they do, they’re always the laughing stock of their family and friends, stupidly making a fool of themselves. He is a wedding and christening photographer, but believes he has a calling to show his true talent in ‘artistic’ photography. She believes that after her temporary crises she’ll start to have a more interesting life. Together they must decide whether being so pathetic is just a passing virus or if they actually have a chronic disease. Vergüenza is a ten-episode television series.

Carlos Saura, a living legend. Felix Viscarret, a director who wants to make a film portrait of the great master. He comes up with a plan. He thinks it’s brilliant. He’ll show the intimate side of Saura through conversations between the genius and his 7 children. Everyone accepts. But Saura doesn’t like talking about the past. Viscarret insists. Saura likes painting. And photography. Viscarret doesn’t give up. He tries again. Saura likes painting. And photography.

The true story of the notorious drug kingpin Pablo Escobar, who killed thousands, made billions and struck up an unlikely love affair with his polar opposite, a glamorous television host named Virginia Vallejo.

Fe de etarras is an unusual dark comedy set in the warm summer of 2010 in a Spanish provincial capital. A peculiar commando composed of a veteran desperate to prove he’s not a coward, a couple whose commitment depends on continuity of the outfit and a guy from La Mancha who thinks that joining the commando will turn him into Chuck Norris, hole up in a safe house while waiting for the call to tell them they can take action. Meanwhile, the Spanish football team notches up victories in the South Africa World Cup and the whole country is celebrating around them, causing enormous frustration among the farcical commando.

Unscrupulous businessman Marcos Ruiz de Aldazábal is the head of a film production company gone bust. Desperate and penniless, Marcos and his team come up with a plan to hoodwink a millionaire investment company with a lookalike of prestigious actor Ray Silvela, who has declined the offer to work on their film. Making the most of the San Sebastian Festival, they set about contriving an enormous hoax where nothing is what it seems to be.

Segovia. A Christian Summer camp, called 'The Compass'. Bernarda, a nun who has just got there, wants to save the camp with her song Viviremos firmes en la fe. Sister Milagros, a young woman who doubts, remembers she liked Presuntos Implicados very much. María and Susana, two adolescents who are there as a punishment, have a band called Suma Latina. But since God appeared to María, everything is changing. And that's because God loves Whitney Houston.